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Design Studio : Inspiration to Realisation

Anna Nichols • Feb 16, 2020

‘Boomerang’ Desk chair designed by Anna Nichols

At the beginning of 2020 I was making the 9th ‘Boomerang’ chair in my workshop. 
A design that I have been developing since I was at University in 2000. I was inspired by my lecturers to explore and work with vacuum formed curves and influenced by the iconic Charles Eames chair. In my final year project, I designed and made my first ply curved pod shapes as photo below.
SKETCHING

I’ve always been drawn to organic non geometric curves when sketching ideas. Organic shapes are often curvilinear in appearance and are a common feature in nature. I have quite a few photo’s focusing on these shapes, for example a flamingo standing in water.
My designs often start from sketching negative space of an object in nature. Negative space is an art term explaining the space around and between an object, not the object itself. Which can form an interesting or aesthetically pleasing shape.
Why the name ‘Boomerang’?

The ‘Boomerang’ shape reminds me of a wing shape and my sketches of bird silhouettes and negative space of flamingo’s legs. If you squint a bit!! 

I spend most of my time squinting at things!!
After a few years after University, I had a couple of designs that I kept redrawing in my sketch books. The only way forward was to actually make one of my designs. At the same time of this realisation, I was finishing a fine furniture making course at Jonathan Markovitz in Oxford. 

This was the key to understanding how I can make one of my curved designs in solid wood. Whilst on the course I learnt new skills and an understanding of grain direction and its relationship to cutting tools. 

When I started at my new workshop in Scottish Borders in 2010, I felt it was time to take the next step and play with these shapes and curves in hardwood that I’d been drawing again and again. 

The first ‘Boomerang’ design was a lounger chair for a hallway. I was commissioned to make this chair in Ash, which has become one of my favourite hardwoods to work in since. Here are three main parts of the design that I was playing around with.
How large a curve can I produce in my vacuum former and how much would the curve flex back when pressure released? 

How to use the natural grain direction to make my curved chair components? 
Using what I learnt from making this chair, I spent more time working out the angle and height of the back on the desk chair version. 

Which became apparent was an important factor in chairs. What also helped me get the best dimensions for my ‘Boomerang’ chair was making four different styled chairs prior to making the first ‘Boomerang’ desk chair.

I happened to have a few commissions come in to make dining tables and chairs when I first started my business.

Having felt I was fully ready, I started to make the first ‘Boomerang’ chair for my first exhibition at the Lighthouse, Glasgow with the Scottish Furniture Makers Association. 

I made the first chair from Burr Elm that had been air dried about 8 years before it was put in the kiln. This meant the wood was very stable and wood movement was at a minimum when machining the chair components. I included a vacuum formed chair back in the design and a 'Boomerang' shaped curved legs at the back. Plus front curved legs shaped and jointed into the arms.
Since the first chair, I have continued to adapt the construction and joinery details. Which included fine tuning the glue up stage of the arms and joinery to the back curved leg.

As a furniture maker you never really finish a design. There is always room to improve and I will continue doing this with my next chair and the following chair as well. 
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